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Radio World

Universal Audio Unveils First Microphones

Radio World
3 years 3 months ago

Universal Audio has introduced its first microphones, the start of a string of offerings that will roll out this year.

Many of the mics build on the technologies and expertise acquired by UA when it purchased the Bock Audio brand in 2020 followed by the technology acquisition of Townsend Labs Inc. in 2021. “We’re excited to bring UA’s audio expertise to microphones, and to bring something new to the table,” said Bill Putnam, CEO/founder of Universal Audio. “With Bock, Sphere, and the new Standard Series mics, there’s a UA mic within reach of every serious creator.”

Handmade in Santa Cruz, the new flagship UA Bock mics, due to arrive in autumn 2022, will be a trio of premium tube- and FET-based models designed by David Bock. The large-diaphragm UA Bock mics will include the UA Bock 187 ($1,249) FET condenser mic and the UA Bock 167 ($2,999) and UA Bock 251 ($5,999) tube-condenser mics.

“The UA Bock mics are the best-sounding and most beautiful mics I’ve had the pleasure of designing over my long career,” said Bock. “These mics are going to have discriminating singers, producers, and audio engineers smiling from ear-to-ear.”

Coming in at a more widely accessible price point is the Standard Series of microphones, kicking off with the Standard SD-1 dynamic mic. Intended for vocal, broadcast and streaming applications, the $299 mic is now shipping. Coming this summer will be the  Standard SP-1 pencil mic for stereo recording of instruments and live performances, running $399 a pair.

With the technology acquisition of Townsend Labs Inc., UA is aligning the company’s proprietary Sphere Modeling Microphone technology with its own UAD audio plug-in platform, with the aid of modeling guru Chris Townsend. The Sphere L22 Modeling Microphone, offering 34 classic mic models, remains shipping at $1,499.

UA Standard Series and UA Bock microphones include presets for use with UA Apollo audio interfaces.

The post Universal Audio Unveils First Microphones appeared first on Radio World.

Mix Editorial Staff

WDR Deploys Ferncast aixtream

Radio World
3 years 3 months ago

From our Who’s Buying What page: German regional public broadcaster WDR has implemented aixtream software from Ferncast to process its internet streaming and DVB multiplexing on the same system.

WDR offers radio programs in various formats across the German state of North Rhine-Westphalia. “In 2020 they decided to overhaul their provisioning of web streams and DVB multiplexes for all their programs by implementing aixtream software developed by Ferncast,” the supplier write in a press release.

The broadcaster finished the implementation in September. “Since then, they have been handling their internet streaming and DVB multiplexing workflow with aixtream servers,” Ferncast said.

“They are now streaming 36 different programs with aixtream software, including: 1LIVE, WDR2, WDR3, WDR4, WDR5, WDR COSMO, Die Maus, WDR Event, WDR Vera. All their programs are available in multiple formats and quality levels. In total, each program is streamed in at least five formats and qualities. HLS streams are available in three quality levels (using adaptive bitrate to adjust to the listener’s circumstances), while Icecast streams are available in at least two quality levels.”

Aixtrea is scalable software, running as a server or VM installation.

The post WDR Deploys Ferncast aixtream appeared first on Radio World.

RW Staff

Car Thing from Spotify Officially Reaches U.S.

Radio World
3 years 3 months ago

In April 2021, Spotify announced its exploration of a smart player for the car. In October, the company did a limited release of Car Thing to Spotify Premium users. Now the device is available for purchase in the U.S. for $89.99 with a few caveats.

If you’re tired of arguing with Hey Siri, you can switch to Hey Spotify voice commands. If Spotify doesn’t listen any better than Siri does, there are also “simple taps, turns, and swipes” for a seamless in-car experience. With a reported 2 million people on the waitlist, it’s easy to wonder “what is this thing that’s so different from my iPhone that it should cost $90 plus a monthly subscription?”

CNET Roadshoww can help you figure out what it is and whether you want one. (Japolnik says you don’t)

Recently CNET took a look at what it’s like to live with the device, but with sales locked behind an invitation system for select Premium subscribers, most consumers wouldn’t get an opportunity to find out for themselves what the Car Thing’s deal is.  As the hype train prepares to leave the station again, I think it’s worth revisiting what the Spotify Car Thing is and, more importantly, what it’s not.

Here’s how Spotify describes the beta period for it’s new hardware and how you can in theory get in on it.

During our exploration phase, we discovered a lot about how people listen in the car, and for many users, how Car Thing can help improve that experience. We heard from drivers some requests that we are working to incorporate into future Car Thing updates. These include Night Mode, which dims screen brightness in the evening, and an Add to Queue command, which lets you queue up your favorite music and podcasts by simply using your voice. Car Thing is now available to purchase for $89.99 and requires a Spotify Premium subscription plan along with a phone with a mobile data connection. You can find more details about how to use the device at carthing.spotify.com.

Per Spotify, here’s what you need to know:

  1. Select users in the U.S. who have signed up for the Car Thing waitlist will be among the first to purchase Car Thing for $79.99.
  2. All U.S. Spotify users — Free and Premium — can sign up for the Car Thing waitlist.
  3. Car Thing does require a paid Spotify Premium subscription plan — whether that’s an Individual, Family, Duo, or Student plan — and it connects to your smartphone for mobile data.
  4. We’ve already released some software updates and will continue to evolve and improve it over time.
  5. Check out if you’re eligible and the other terms that apply.

This article appeared first in our sister publication, Sound & Video Contractor.

The post Car Thing from Spotify Officially Reaches U.S. appeared first on Radio World.

Cynthia Wisehart

In-Car Listening Influenced by More Than Music Taste

Radio World
3 years 3 months ago

This week, Radio World is providing coverage of the EBU Digital Radio Summit.

As more media and entertainment options integrate with the dashboard, how do motorists decide what to listen to, and what factors guide those decisions?

These questions were answered by BBC Researcher Aleksandra Gojkovic during the EBU Digital Radio Summit session, “Case Study: Audience Behavior in Car.” The summit was held online on Feb. 16, 2022.

Why study motorists?
The BBC’s decision to study motorists’ listening behaviors was spurred by the advent of web-connected car audio systems, and the lack of firm data explaining motorists’ content choices in the option-rich environment. “With a growing number of cars becoming increasingly connected, we looked at what this means for the BBC and where the threats and opportunities of this technology lie,” Gojkovic said.

The study was conducted in early 2020 using 20 subjects. They recorded their in-car listening behaviors on a mobile app. The BBC also installed dash cams that watched the car cabin, so that the actual behaviors and actions of drivers and their passengers were documented accurately.

Three factors
Not surprisingly, “our research uncovered a really complex ecosystem of needs and mediating factors that influence audio choices people make when in cars,” Gojkovic said.

Analysis of data collected identified three distinct trip characteristics that influenced listening choices: the length of the journey, the purpose of the journey, and the company inside the vehicle. This last factor was not just whether the driver was alone or with passengers, but who was along for the ride.

According to the BBC’s research, the expected length of a car journey has a substantial impact on the effort people make in selecting the best possible audio choices for their tastes and mood.

“Shorter journeys involve little preparation, and audio choices tend to be quicker and more [people] are more likely to resort to defaults,” said Gojkovic. “On longer journeys, there is a greater need to make the time count, and people are more likely to do things like tether [their devices to the car’s audio system] and listen to downloaded content, podcasts, and audiobooks.”

The purpose of the journey also affects audio choices. “Commuting drivers are looking to calibrate for the day ahead,” said Gojkovic. “They want to get into the zone, be prepared for their day of work, and get up to speed with what’s happening in the world. Homebound journeys can be more restorative. People are reflecting on the day that’s happened. They’re more contemplative anticipating an evening with friends, family, or an evening with their favorite books.”

When journeys are long, motorists want to get value from their listening experiences so that the time spent driving is not wasted. As a result, “they’re more likely to invest time in self-improvement, and they will listen to things like language learning on a speech podcast,” Gojkovic said.

The influence of passengers
The third factor is company: If there are passengers in the car, drivers will often choose audio that caters to their needs or to the group’s collective mood.

For example, when driving with children, the journey tends to be about either appeasing children or bonding with them, which is why drivers will choose audio that appeals to a young age group. If it’s a social group in the car out to have a good time, the “audio choices are crowd pleasers, and they tend to be non-contentious, light and frivolous,” said Gojkovic.

“Individual leisure drives are indulgent. They’re all about me and their needs are for either an energizing or a restorative experience. And companion drives are about connection and affinity,” she said.

One point worth noting: On social drives, “bonding is the overarching need, and audio is more likely to be background noise,” said Gojkovic. “When adult passengers are in cars, people are more likely to drive with no audio at all. … Whereas when alone, drivers are more likely to be actively engaged with the audio content they’re listening to, and in this case also more likely to listen to speech.”

Beyond these three factors, the ability of drivers to tether their smartphones to their audio systems (or not) and the success of algorithmically-curated web streams in providing content that suits their tastes and keeps them logged on also shape people’s in-car audio selections.

The bottom line: “More so than other media, audio choices in cars tend to be fast,” Gojkovic said concluding her talk. “And we’ll always gravitate towards the path of least resistance.”

Related stories:
  • Human Connection Draws in Younger Listeners

The post In-Car Listening Influenced by More Than Music Taste appeared first on Radio World.

James Careless

WABC Lobby Offers a Nod to History

Radio World
3 years 3 months ago

This photo shows the lobby of facilities built in 2020 by Red Apple Media to serve iconic New York City station 77 WABC as well as wabcradio.TV, 107.1 WLIR Riverhead and Red Apple Audio Networks.

Dan Hirschl, vice president of engineering for Red Apple Media, shared this picture for Radio World’s new ebook about recent studio projects, but we thought the lobby photo was interesting on its own as well.

“The goal was to capture WABC through the years through traditional printed signage and video presentation,” said Dan Hirschl.

“Visitors to our floor need to know where they are from the moment they step off the elevator.”

[Check Out More of Radio World’s Ebooks Here]

Among people and events celebrated are iconic broadcasters Lowell Thomas and “Cousin Brucie” Morrow; the change in call letters from WJZ to WABC in 1953; the station’s dominance of the AM dial in the 1960s (“More people listen to WABC than to any other radio station in North America”); and its acquisition from Cumulus by businessman John Catsimatidis, finalized in 2020.

“The build included three news desks, two talk studios with associated control rooms, two production rooms, video control room and a TV studio/live performance area,” Hirschl said. “WABC needed to move from our legacy studios at 2 Penn Plaza not only because of the sale, but because of building-wide renovations and lease complications.”

The ebook “Spectacular Radio Studios” includes projects by other leading broadcasters including Educational Media Foundation, Audacy, Cumulus, Nashville Public Radio, Hubbard Media, CBC/Radio-Canada and numerous others. You can access it free at radioworld.com/ebooks.

The post WABC Lobby Offers a Nod to History appeared first on Radio World.

Paul McLane

BTS Pulse Focuses on Dashboard Technologies

Radio World
3 years 3 months ago

Radio World Editor in Chief Paul McLane will moderate a session next month in the IEEE Broadcast Technology Society Pulse series, focused on the changing nature of radio’s presence in car dashboards.

The BTS Pulse sessions are virtual; the upcoming series takes place March 8–10.

“Radio’s New Dashboard Technologies” is a two-hour session on Wednesday March 9 that explores changes in how broadcast radio looks and functions in vehicle dashboards. What technologies are driving these changes, and what should broadcast radio engineers and managers know about them?

Speakers will include David Layer of NAB PILOT; Joe D’Angelo of Xperi; Ben Poor of the European Broadcasting Union; and Joe Harb of Quu Inc.

Another session that week will focus on global digital radio and will be moderated by Glynn Walden, while a third on will address virtualization and cybersecurity, moderated by Wayne Pecena.

Registration is open.

The BTS says attendees have the opportunity to earn multiple Continuing Education Credits or Professional Development Hours.

The post BTS Pulse Focuses on Dashboard Technologies appeared first on Radio World.

RW Staff

WINS Honored With World Radio Day Award

Radio World
3 years 3 months ago

Iconic all-news station WINS(AM) in New York was chosen by the Academy of Radio Arts and Sciences of America to receive the 2022 World Radio Day Award.

“1010 WINS” is famous as the station that launched a groundbreaking all-news format in 1965. Today it is owned by Audacy.

The honor commemorates World Radio Day, established by UNESCO and celebrated annually on Feb. 13.

This is the third annual award given to a U.S. radio station; last year’s recipient was WHRU at Hofstra University on Long Island, and the first was all-news station WTOP in Washington.

The award honors a U.S. station that exemplifies the best attributes of the radio industry. Recipients may be large or small, commercial or noncommercial, located in any market, and broadcasting in any language. The jury looks for stations that demonstrate ideals of localism, audience reach, community service, effective use of new digital platforms, diversity in program content and staffing, and financial and ratings success.

Jurors included representatives of trade publications, including Radio World; broadcast law firms; consultants; and the New Jersey Broadcasters Association.

The post WINS Honored With World Radio Day Award appeared first on Radio World.

RW Staff

NATE Sets Membership Record

Radio World
3 years 3 months ago

The association for companies that work on the U.S. communications infrastructure has set a new record.

NATE: The Communications Infrastructure Contractors Association said it now has 1,100 member companies.

It made the announcement at the NATE UNITE 2022 Conference in Las Vegas.

The association also announced that board members Jimmy Miller, Victor Drouin and Kevin Dougherty were elected to serve on its executive committee. Miller, president and CEO of MILLERCO in Gulfport, Miss., was re-elected as chairman of the board.

Member Services Coordinator Jill Rethke attributed the growth to “the association’s commitment to investing into strategic initiatives and benefits that directly support our membership.” The organization also has added staff positions in government relations, safety, health, compliance and marketing.

NATE members include tower construction firms, general contractors, vertical real estate companies, wireless carriers, engineering and technology companies, public safety and non-profit organizations, design professionals, manufacturers, distributors and training companies.

The post NATE Sets Membership Record appeared first on Radio World.

RW Staff

ACCESS NX Changes the Game for WSCO

Radio World
3 years 3 months ago

Radio World Buyer’s Guide articles are intended to help readers understand why their colleagues chose particular products to solve various technical situations. This month’s articles focus on products for radio remotes and sports.

John Dinse and BJ DeGroot are ready to provide live courtside coverage.

WSCO(AM), a Wisconsin station that is part of the Woodward Radio Group, serves sports and talk programming to an audience that stretches from Green Bay to Oshkosh.

As part of its sports coverage, the station produces live play-by-play for Wisconsin major league, minor league, college and high school sports, as well as a sports morning show called “BJ and the Bear.” WSCO covers every game live for the Wisconsin Herd, the NBA G League affiliate of the Milwaukee Bucks.

[Check Out More Products at Radio World’s Products Section]

In its search for a way to send audio from the arena back to the station, WSCO became familiar with ACCESS 2USB, a portable IP audio codec from Comrex that’s no longer available for purchase.

When Comrex released its latest model, WSCO decided to purchase a new ACCESS NX for courtside coverage of the Herd.

The station often uses a hard-wired internet connection, and intends to implement NX’s portable capabilities for live broadcasts of road games in the coming season. ACCESS NX’s attachable mixer allows them to feed in arena sound as well as maintain a private two-way connection with a producer at the studio.

The Comrex ACCESS NX

BJ DeGroot, assistant brand manager for WSCO/WHBY and co-host of “BJ and the Bear,” told Comrex, “It’s functional and reliable, and it’s changed the game for our live play-by-play broadcasting. As far as quality standpoint and ease of use is concerned, we have been so happy. If you’re looking to take your station to the next level, it’s the way to go.”

Info: http://comrex.com or email info@comrex.com.

The post ACCESS NX Changes the Game for WSCO appeared first on Radio World.

RW Staff

Media Tech Firms Face ‘Bleak’ Components Outlook

Radio World
3 years 3 months ago

“The picture is bleak.”

That’s the assessment from IABM, which published results of its electronic components supply survey of global media technology companies.

The association said lead times are lengthening and component prices are rising significantly since its last survey nine months ago.

“Respondents also sounded the alarm on their financial positions if component supply problems persist for a further 12 months; there are very few signs that the situation will improve in the short-to-medium term,” it wrote.

STMicroelectronics IC microchips designed by ARM Ltd. in a storage tray at CSI Electronic Manufacturing Services Ltd. in April. (Chris Ratcliffe/Bloomberg via Getty Images)

IABM is a trade association for broadcast and media technology. [See a list of IABM member companies.]

It said 97% of technology vendors reported being significantly affected by component shortages, with 63% saying they are severely affected, up from 40% last April.

“The survey finds that lead times for components have increased by an average of 74% and component costs by 44%, resulting in a 26% impact on final product costs.”

[Previously: “Chip Shortage Hits Radio Technology Marketplace”]

The association expressed concern that 86% of respondents “reported facing moderate or severe impact on their financial sustainability if the issues persist for another 12 months.”

CEO Peter White said in the announcement, “With no early prospect of the component shortage problem being resolved, many media tech companies have responded by redesigning their products to mitigate issues with sourcing specific components, and/or stockpiling components where possible to keep their production lines flowing in the face of dramatically increased lead times.”

He also cited evidence of component price increases “which will either need to be absorbed by media tech suppliers or will feed through into increased end-product prices.”

The association recently launched a service that allows companies to list their excess stock; members experiencing shortages can use it to find supplies. “I have been surprised that not many companies have taken advantage of the BaM Stock Exchange so far; perhaps this is the moment for them to do so,” White said in the release.

The post Media Tech Firms Face ‘Bleak’ Components Outlook appeared first on Radio World.

Paul McLane

NAB Crystal Radio Finalists Are Announced

Radio World
3 years 3 months ago

The list of 50 finalists for the NAB Crystal Radio Awards is out.

The National Association of Broadcasters released the list, below. The awards recognize radio stations for outstanding commitment to community service.

KBFB(FM) Dallas, Texas
KBHP(FM) Bemidji, Minn.
KBLB(FM) Baxter, Minn.
KCLY(FM) Clay Center, Kan.
KDWB(FM) Minneapolis, Minn.
KIKV(FM) Saint Cloud, Minn.
KIRO(FM) Seattle, Wash.
KJR(FM) Seattle, Wash.
KMVP(FM) Phoenix, Ariz.
KNDE(FM) College Station, Texas
KOSI(FM) Greenwood Village, Colo.
KPEK(FM) New York, N.Y.
KRMG(FM) Tulsa, Okla.
KRWM(FM) Seattle, Wash.
KSFI(FM) Salt Lake City, Utah
KSNE(FM) Las Vegas, Nv.
KTAR(FM) Phoenix, Ariz.
KTMY(FM) Saint Paul, Minn.
KUPD(FM) Phoenix, Ariz.
KXKT(FM) Omaha, Neb.
KYGO(FM) Greenwood Village, Colo.
KYW(AM) Philadelphia, Pa.
KZFN(FM) Moscow, Idaho
WBAB West Babylon, N.Y.
WBAL(AM) Baltimore, Md.
WBZZ(FM) Pittsburgh, Pa.
WDAS(FM) Philadelphia, Pa.
WDNS(FM) Bowling Green, Ky.
WDSN(FM) Pittsburgh, Pa.
WEDR(FM) Hollywood, Fla.
WFEZ(FM) Hollywood, Fla.
WFLC(FM) Hollywood, Fla.
WGKB(AM) Milwaukee, Wis.
WGY(AM) Schenectady, N.Y.
WHIO(FM) Dayton, Ohio
WHKO(FM) Dayton, Ohio
WHQT(FM) Hollywood, Fla.
WIYY(FM) Baltimore, Md.
WJNO(AM) West Palm Beach, Fla.
WMBX(FM) West Palm Beach, Fla.
WMGK(FM) Philadelphia, Pa.
WMMX(FM) Dayton, Ohio
WNRP(AM) Pensacola, Fla.
WOKV(FM) Jacksonville, Fla.
WSUN(FM) St. Petersburg, Fla.
WTAW(AM) College Station, Texas
WTLC(FM) Columbus, Ohio
WTMJ(AM) Milwaukee, Wis.
WUSQ(FM) Hagerstown, Md.
WXTU(FM) Philadelphia, Pa.

Winners will be announced on April 26 at the NAB Show in Las Vegas.

[Read the list of last year’s winners.]

The post NAB Crystal Radio Finalists Are Announced appeared first on Radio World.

RW Staff

Ziggo Switching off Analog Radio via Cable

Radio World
3 years 3 months ago

Dutch cable operator Ziggo is pulling the plug on its carriage of analog radio signals. The company is the last cable company in the Netherlands to offer analog radio as part of its service, but it is ending the service during the first quarter of 2022 to free up bandwidth.

According to Ziggo, only about 5% of its customers use its analog radio service. “In 2018, we started to discontinue the analog TV signal via cable, now it is analog radio’s turn,” the company wrote in its Dutch-language FAQ about the switchover.

To aid customers affected, Ziggo is offering a free FM antenna to replace the cable connection to their stereo system, or it suggests tuning digital radio stations via television or connecting a cable box to the stereo. The company is also offering for €50 (about $56) a DAB receiver that connects to an existing stereo system.

Ziggo carries more than 100 radio and audio channels via its television platform, including Dutch public and private stations, German and British public broadcasters, and German, French, and British international services.

Ziggo is the largest cable operator in the Netherlands, serving nearly 4 million households.

The post Ziggo Switching off Analog Radio via Cable appeared first on Radio World.

T. Carter Ross

Human Connection Draws in Younger Listeners

Radio World
3 years 3 months ago

This week, Radio World is providing coverage of the EBU Digital Radio Summit.

If broadcasters want to attract young listeners, they need to offer content that focuses on human connections and shared experiences, more than Top 40 hits.

That’s the message radio futurologist and Podnews editor James Cridland delivered during his keynote address to the European Broadcast Union’s (EBU) Digital Radio Summit. The summit was held online February 16, 2022.

“Ten great songs in a row is absolutely fine and a great radio programming technique, but it isn’t something that radio can do by itself anymore,” Cridland declared. “Spotify can do that very well.”

Radio’s decline amidst record listening
James Cridland began his address by noting how well radio appears to be doing these days.

“Radio is still tremendously popular,” he said. “Whether you are in the UK or New Zealand or Finland or the U.S., nine  out of 10 people are listening to the radio every single week.”

The trouble begins when one starts to dig deeper into the audience numbers. For instance, EBU data cited by Cridland showed “about a 3% decline in the last five years in terms of total audience, and a 6% decline in terms of younger audiences as well.” Meanwhile, total audience listening is “down by 7% in the last five years,” said Cridland, and “when you have a look at younger audiences, then you can see that nearly one out of five [listening] hours has gone away in the last five years.”

So why are U.K. radio audiences looking so strong in the research? “It’s only the fact that there are more old people in the U.K. that is keeping the figures up as high as it is,” he said.

Meanwhile, young listeners who aren’t tuning into radio now, won’t suddenly do so as they age. “You don’t grow into listening to more radio,” quipped Cridland. “So, we are not going to see a lot of people suddenly starting to listen to tons more radio because they happen to hit 30.”

The way back for radio
When it comes to reaching younger listeners, Cridland wants to target them where they are.

This isn’t on smart speakers, where 72% of the content consumed is radio, he said. Rather, it is on their smartphone-connected headphones.

RAJAR figures showing the disparity in radio listening among younger and older listeners.

“When you ask people, ‘what are you listening to on your headphones?’, podcasts and audio books are the No. 1 choice,” said Cridland. “Live radio is the least most popular in terms of 11%.”

The big takeaway: The 13–34 audience is listening to in-depth, meaningful spoken-word content when they listen to podcasts and audiobooks — the kind of content commercial radio rejected decades ago when it went Top 40.

This spoken-word content tends to focus on human connections and shared experiences, and it’s a model that radio must seize upon if it is to become relevant to younger listeners again. “That’s why people turned to radio in the middle of the pandemic because they wanted other human voices,” Cridland said. “They wanted that shared experience, [contact with] the other person who was out there dealing with the same things that they were dealing with as well.”

As for “live and local” being radio’s edge? “I would argue that live actually isn’t important at all … [and] that local is just another way of saying relevant,” he said. “Relevant content for people could be local, [it ] could be talking about what’s going on in their town in their city, [or it] could be talking about very, very other things as well … So real and relevant are very key parts of the content strategy that we should have in terms of radio.”

Cridland also advised radio broadcasters to stop defining themselves in terms of their delivery mechanisms (i.e., AM, FM, and DAB), and start thinking of themselves as content providers first.

As well, being live is less important in an online age where on demand content is so popular. He made his point by citing some Australian audio content that is recorded and then served out on radio and on demand, to maximize reach and penetration.

“I’m talking about making stuff, particularly in terms of great pieces of audio, that you can pre-produce and make sound absolutely fantastic as well,” he said.

Quoting from a U.S. patent application to underscore his point, Cridland said, “’traditional broadcast radio spends billions of dollars creating millions of hours of creative audio content that is only used once.’ And it’s [only] when you see that written down in black and white, then you suddenly realize, ‘oh, we could be doing so much more with the great content that we are making by packaging it up so that we can reuse it on the air, so that we can give that to other audiences.’”

In closing, Cridland said radio has a future, and “it’s focused less on music and more on speech. These days it’s producing audio for on-demand first, rather than live, which helps get the most value out of the audio. And I believe that the future is less about broadcasting and more about reaching audiences across multiple platforms, however they want to consume it.”

The post Human Connection Draws in Younger Listeners appeared first on Radio World.

James Careless

Visual Component Growing in Importance

Radio World
3 years 3 months ago
Steve Koenig speaking at the 2022 CES. “Consumers endorse options and abhor complexity,” he said.

A top Consumer Technology Association executive says the global technology market remains stout and that consumers are adopting new tech at an accelerated pace — all of which has implications for radio and audio companies.

Steve Koenig, vice president of research, says the future of tech innovation is healthy and fueled by demand from consumers for breakthroughs that add convenience and simplicity to their everyday lives.

He spoke after the conclusion of the Consumer Electronics Show in Las Vegas in January.

Among the announcements and debuts at the convention, the biggest headline was probably the simple fact that the convention was held in person.

But key trends showcased at CES included artificial intelligence and 5G, which Koenig believes will serve as the “connective tissue” for innovation and as the building blocks of the metaverse, this year’s buzzword.

Koenig said there’s plenty happening in audio.

“There was a lot of innovation [at CES] across the audio spectrum — featuring listening products, but also a variety of innovations that will impact the future opportunity of audio and, by extension, broadcast radio,” he said.

“A lot of innovation in personal audio, what we’re seeing in true wireless ear buds, for example, and in home theater and home audio. Smart speakers have populated and in some ways democratized listening around the house, since people tend to have several of them in dens, kitchens and bedrooms.”

‘Screenification’ in cars
Koenig also says the “visual element” is fast becoming a focus for audio products.

“In a lot of the vehicles shown at CES, there was a premium on monitors. For instance, Togg [a Turkish automaker] had a dashboard that was one giant screen, similar to the Mercedes-Benz Hyperscreen we have seen before,” he said.

He calls this the “screenification” of the automobile, and those bigger and additional video screens for both the front and rear seats have crucial import.

“Radio broadcasters need to utilize that space, because a lot of others are. Streaming audio and other connected services coming into connected vehicles utilize that screen real estate for drivers and occupants.” He said this development spotlights the importance of the metadata carried by many broadcast and streaming signals.

He sees the role of radio evolving as it adds various dimensions. “It is similar to what has happened to Next-Gen TV. It could be shopping, maps or other services that accompany the traditional broadcast service. I see this happening for radio broadcasters, which will increase opportunities for sponsorship and advertising deals. In the end, it’s a deeper engagement with the consumer.”

Broadcast radio’s familiarity to consumers is a strength, he said, but radio faces does face challenges as entertainment becomes more immersive.

“Broadcast radio is a very accessible and familiar medium, of course. We don’t track engagement, but what I can say is that consumers enjoy a mosaic of audio sources. Obviously podcasts and streaming music collections are growing in popularity; but still I think a lot of people enjoy radio.”

He declined to say whether he thinks broadcasters are doing enough strategically to adapt to increased competition, specifically in the dashboard. But he believes radio has a lot of options to amplify its business model and enhance the media experience for consumers.

“They have to engage with a variety of different partners, whether it is automakers or other possibilities. But there is a chance to remake radio and align it with a more visual element and add appeal to consumers.”

The mobility sector at CES had more than 200 companies in the new West Hall of the Las Vegas Convention Center, including automakers with self-driving cars and electric vehicles. Many vehicle exhibits exploited interior technology touting audio and video with additional media displays, Koenig said.

Broadcast radio was represented in the transportation section by Xperi’s exhibit of DTS AutoStage, its hybrid radio platform that merges IP connectivity and broadcast reception, promising a richer user experience similar to the offerings of digital pure-play services and satellite radio.

DTS AutoStage “is one of these market plays that is trying to deliver what consumers are asking for,” Koenig said. “Consumers endorse options and abhor complexity. So a platform or system to allow them to partake in a variety radio and audio streams across their interest areas will resonate.”

Consumer behavior
Supply chain issues and computer chip shortages were topics of conversation at CES, Koenig said, but much of the focus was on artificial intelligence, including how it can learn the behaviors of consumers across the audio ecosystem. He said companies are leveraging AI in more applications and every economic sector, from manufacturing to entertainment.

“AI is getting better so it can do more things. There are a lot of flavors of AI for consumers across different devices, from smart speakers and your phone to your new car. AI will learn behavior and knows what a person likes to listen to and it gets to a point where it is predictive. AI can learn patterns and help tech goods anticipate what the consumer expects.”

Autonomous automobiles open up a new world for media entertainment and productivity, Koenig said. The extension of that is the range of opportunities via screens through internet connectivity in the car cabin.

“When you consider how these technologies will allow consumers access to entertainment and content via the cloud, things will really start to get interesting,” he said. “Cloud computing and online gaming [in the car] will also be possible.”

CTA believes consumers maintain their appetite for new technology thanks in part to the “season of the pandemic,” Koenig said.

“We have seen historically high demand for consumer technology the past two years. By spending more time at home and needing to bolster work productivity, school and education and entertainment, consumers are leveling up their tec — smart home devices and smart phones. Smart doorbells. You can also include services like connected fitness and online ordering for groceries and even telemedicine. The level of adoption of new technology by households has been at an all-time high.”

Koenig projects that consumer spending on hardware, software and services in the United States will reach $505 billion, a 2.8% growth over 2021.

“Once consumers get a taste for these things, they tend to spend more on them. Why? Because it is delivering value and convenience and making life better.”

And then there’s the metaverse.

“The metaverse isn’t something we build and then we have it,” Koenig said. “To me it’s the next generation of the internet, with enhanced connectivity that will deliver increasingly immersive digital experiences through virtual reality. And these next-generation experiences will over time become inextricably linked to our physical reality.”

Comment on this or any article. Write to radioworld@futurenet.com.

The post Visual Component Growing in Importance appeared first on Radio World.

Randy J. Stine

iHeart Will Use Voice Cloning to Amplify Podcasts

Radio World
3 years 4 months ago

iHeartMedia plans to use cloned voices to translate and produce podcasts, hoping to reach new markets.

It announced this week that it will use technology from AI software company Veritone for this purpose.

“iHeartMedia will leverage Veritone’s AI platform to make more shows across the iHeartPodcast Network available in multiple languages, helping to expand their podcast market,” they said in the announcement. “The first use case is to translate iHeart’s marquee podcasts for Spanish-speaking audiences.”

[Related: “Veritone Ramps Up Synthetic Voices”]

They quoted Veritone President Ryan Steelberg saying, “iHeartMedia will not only be able to scale to new markets with localized language translations but retain the brand value of their top talent’s voice, which is fundamental in podcasting. We are also partnering to develop synthetic voices for advertising and engaging content while reducing time-to-market and production costs for radio, podcasting and the metaverse.”

The companies said iHeart voice talent will be able to authorize Veritone’s synthetic voice solution to produce more podcasts, ads and additional audio in multiple languages “with the same energy, cadence and uniqueness of top talent.”

[Related: “Create Synthetic VOs Just by Typing”]

The post iHeart Will Use Voice Cloning to Amplify Podcasts appeared first on Radio World.

RW Staff

NPR, EarPeace Team Up for Hearing Protection

Radio World
3 years 4 months ago

EarPeace has collaborated with NPR to create a line of custom branded earplugs based around newly patented EarPeace PRO earplugs.

EarPeace PRO features a contoured design that conforms to the natural shape of the ear canal, featuring a tuned acoustic mesh filter intended to replicate the sound signature. Recently granted a second patent for the proprietary earplug design their utility patent, PRO aims to handle the mismatch between the shape of the ear and plug better. The earplugs use less material to expand in the ear canal, minimizing unwanted bunching and slit leaks. According to the company, the plugs’ oval, offset wave-shaped design permits the filters to perform at peak capacity.

“EarPeace are among the best earplugs out there and have used them literally at over a thousand shows. My ears thank you,” stated Bob Boilen, creator/host of NPR’s “All Songs Considered” and “Tiny Desk Concerts.”

“Unless I’m mixing and recording at the Tiny Desk, I’m using hearing protection at concerts. EarPeace has been one of my go-to brands for years. Do your future self a favor and protect your ears,” said Josh Rogosin, Tiny Desk audio engineer and technical director for NPR Music.

The post NPR, EarPeace Team Up for Hearing Protection appeared first on Radio World.

Mix Editorial Staff

NABiQ Challenges Participants to Innovate

Radio World
3 years 4 months ago

Tired of the traditional networking happy hour? The 2022 NAB Show has something new for you — NABiQ.

Innovation consultant Maria Duloquin will facilitate nine 90-minute competition-style events focused on the NAB Show’s content pillars: create, connect and capitalize. Participants will be grouped into five six-member teams to collaborate on a solution to common challenges facing the industry.

“This dynamic ‘hackathon’ format allows attendees to collaborate and draw on their collective experiences to create the next great out-of-the-box solution for our industry,” said Chris Brown, NAB executive vice president and managing director of Global Connections and Events.

[Read More of Our NAB Show Coverage]

“Building on diverse knowledge under a tight deadline is a sure-fire way to foster innovation,” said Duloquin. “Teams listen to each other, prioritize ideas, and define the most powerful solutions in an intense but incredibly rewarding experience!”

Supported by Cynopsis and ProVideoCoalition, the challenge events include leveraging new technology in video production, preparing for the future of delivery and utilizing audience insights. The complete list of challenges and registration information is available here. Each competition is followed by time for informal networking, and winning solutions will be shared with the entire NAB Show community and via NAB Amplify.

The post NABiQ Challenges Participants to Innovate appeared first on Radio World.

RW Staff

FCC Finalizes Changes to Radio Tech Rules

Radio World
3 years 4 months ago

The Federal Communications Commission has finalized a series of changes to its technical rules covering U.S. broadcast radio.

Many of the changes are bureaucratic — cleaning up wording and inconsistencies. But some have meat. For instance, some Class D NCE stations may now be able to increase power and coverage as well as enjoy more flexibility in site selection.

On Thursday the FCC released its report and order that eliminates or amends rules it says were outdated or unnecessary. The changes “better reflect current developments in the radio industry and ensure that our technical rules are accurate, up to date and consistent,” it wrote.

“In so doing, we increase transparency and certainty for broadcasters while eliminating unnecessary regulatory burdens.”

Radio World reported earlier on the planned changes.

[Related: “FCC Takes a Broom to Radio Technical Rules”]

The commission adopted almost all the proposals set out earlier except that it kept its “proximate interference” rule.

Here is what the commission did:

The FCC removed the maximum rated transmitter power limit for AM stations, saying it had received no opposition.

“[A]n equipment limitation on transmitter power is outdated and unnecessary given our current reliance on actual operating antenna input power as the most accurate and effective means of ensuring that AM stations adhere to their authorized power limits.”

It said elimination of this restriction will allow AM stations of any class to use transmitters of any rated power, “benefiting the AM service by broadening the market of transmitters available to stations, enhancing the secondary market for AM transmitters and reducing the number of transmitters that need to be disposed of.”

It eliminated an inconsistency between sections of the rules involving NCE FM community of license coverage.

Two sections currently state that NCE stations must demonstrate that they cover “at least a portion of the community of license” when submitting certain types of applications. But another section established the current standard that NCE stations must cover 50% of their community of license or 50% of the population in their community with a 60 dBu signal strength predicted contour.

The old language was changed to conform to the current standard.

It updated signal strength contour overlap requirements for NCE FM Class D stations to harmonize with a less restrictive section of the rules that applies to other NCE FM classes.

“We agree … that there is no reason to continue treating Class D stations differently in this context.” When the FCC updated these rules in 2000, it deferred including Class D NCE stations to accommodate the establishment of the low-power FM service.

“Because the LPFM service is now mature, it is appropriate to extend the general contour overlap limits to Class D NCE stations. We anticipate that the less preclusive requirement will create opportunities for NCE stations to increase power and coverage, as well as provide them with greater site selection flexibility.”

It eliminated four obsolete provisions that require radio stations operating in the 76–100 MHz band to protect grandfathered common carrier services in Alaska. “Our licensing databases indicate that there are no common carrier services remaining in this band in Alaska.”

It tweaked the definition of “AM fill-in area” in one part of the rules to conform to a later definition, which states that the “coverage contour of an FM translator rebroadcasting an AM radio broadcast station as its primary station must be contained within the greater of either the 2 mV/m daytime contour of the AM station or a 25-mile (40 km) radius centered at the AM transmitter site.”

Currently, one section refers to the lesser of these two distances. The NAB said the current wording “may inadvertently prevent many AM stations from operating FM translators within their 2 mV/m contour.” The FCC agreed, so the relevant section now defines an AM fill-in area as: “The area within the greater of the 2 mV/m daytime contour of the AM radio broadcast station being rebroadcast or a 25-mile (40 km) radius centered at the AM transmitter site.”

Finally, the commission adopted several changes that relate to coordination with Canada and Mexico.

It updated a rule that contains minimum distance separations between U.S. and Mexican or Canadian FM stations, to reflect treaty requirements. The FCC noted that the NAB was concerned that the updated requirements appear to impose greater minimum distance separations on Class A FM stations than is currently provided for in the rules, so NAB asked the FCC to confer “grandfathered short-spacing” status on existing U.S. stations; but the FCC said such “grandfathering” is not necessary.

It also updated the rules regarding stations near the Mexican border. At NAB’s suggestion, it clarified that, for the purposes of a table associated with the relevant rule, U.S. Class C0 assignments or allotments are considered Class C.

It adopted an NAB suggestion about how distances are calculated for the border agreements. It also updated the rules to eliminate inconsistent language and reflect current treaty requirements applicable to FM translators.

But the FCC did NOT adopt a proposal to eliminate the requirement that applications proposing use of FM transmitting antennas within 60 meters of other FM or TV broadcast antennas must include a showing as to the expected effect.

The National Association of Broadcasters had objected, saying this would weaken the FCC’s “newcomer policy,” under which a party constructing a new or modified facility is responsible for eliminating objectionable interference to existing stations.

The commission noted that in the FM service, it has rarely if ever expressly relied on the rules as a means of implementing the “newcomer policy,” but it concluded that the rule provides useful guidance for broadcasters. “We do not wish to introduce uncertainty or ambiguity into situations where it does not currently exist.”

[Read the complete FCC order.]

The post FCC Finalizes Changes to Radio Tech Rules appeared first on Radio World.

Paul McLane

Telos Alliance Launches Container Education Series

Radio World
3 years 4 months ago

Telos Alliance announced a series of online presentations about software container technology.

The first part, streaming on March 2, “introduces hardware selection concepts for containerized software applications, analyzes the importance of dedicated CPU resources, and differentiates which computing resources can be de-emphasized vs. those which must be prioritized,” the company said.

“Attendees will learn which computing functions are key to successful broadcast functionality in a software container environment.”

The five-session series is intended for broadcast engineers. Part 1 on March 2 is at 1 p.m. Eastern. Archived versions will be available.

Subsequent sessions will discuss various AoIP transmission formats, the three main deployment scenarios for virtualized broadcast infrastructures, synchronization and key security issues.

The registration page is open.

The post Telos Alliance Launches Container Education Series appeared first on Radio World.

RW Staff

ViA Brings Wireless Freedom to Eastern Shore Radio

Radio World
3 years 4 months ago
Tieline ViA was used for coverage of this forum of the Eastern Shore of Virginia Chamber of Commerce.

Radio World Buyer’s Guide articles are intended to help readers understand why their colleagues chose particular products to solve various technical situations. This month’s articles focus on products for radio remotes and sports.

Program Director Will Russell has been with Eastern Shore Radio in Virginia for 12 years. His first experience with Tieline was using a Report-IT app for sports coverage.

“We realized the superiority of the audio quality, but the phone app had its limitations.” The Tieline ViA remote codec turned out to be the solution.

“Tieline’s SmartStream Plus redundant streaming technology is crucial for us,” he said. “Wireless technology is improving, but it still has its issues on the Eastern Shore. Knowing we have two signals and one can replace packets if required, really makes live remotes less stressful.”

Eastern Shore covers a lot of high school sports, and it also has aired graduations during COVID, with parents listening in their cars on the radio.

[Check Out More Products at Radio World’s Products Section]

“Recently, we covered a political debate on the radio and provided video with Facebook Live.”

Russell said they normally employ SmartStream Plus using an iPhone hotspot connection over Verizon, along with a Verizon Jetpack tethered hotspot.

“Rural cellular connectivity is always the challenge. Sometimes you’ll have enough signal for sound, but not for video. Video is nice, but at the end of the day we are a radio station.”

For sports, Russell uses one or two headsets for the play-by-play and color commentator, and adds a third mic for crowd effects. For video he’ll use a mini-USB cable to send line-level audio from the ViA into a dongle for an iPhone video stream.

“We connect to a Bridge-IT codec at the studio. After one of the graduations a member of the local school board came up to me and said the sound was just as good as being there in person. I think this is the best compliment a radio person can get on the technical side of things.”

Russell said redundant streaming is simple to configure and that Wi-Fi works well too. “The ViA remembers hotspot connections, which is nice. We have broadcast in stereo, but with internet connectivity sometimes an issue, we went back to mono to reduce bandwidth without sacrificing audio quality. Studio-based audio is streamed back to the Tieline ViA from our studio console for remote site monitoring.”

Recently, a friend and client wanted to make a big announcement about the entertainment for a fundraiser he was holding.

“He had a two-day window to announce it, but unfortunately he came down with COVID and couldn’t come to the studio. He didn’t want to make such a big announcement on the air with a regular telephone call. So I went to the venue and set up the ViA, ran a 10-foot cable for his mic to ensure social distancing, and we made the announcement live on location. This remote was made on battery power and was cool all the way around.”

Info: https://tieline.com/contact/

The post ViA Brings Wireless Freedom to Eastern Shore Radio appeared first on Radio World.

RW Staff

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