Radio World

The iOS App Store launched in 2008 with 500 apps, according to the Business of Apps website, which says that today, the App Store has 1.85 million different apps available to download, while Android users have 2.56 million on the Google Play Store.

We asked a few Radio World readers and contributors to name their favorite apps.

1. Camera

Perhaps the most useful app of all, and easily overlooked is your phone’s camera.

“I constantly document wiring and changes with it so I can update drawings,” said RW contributor Dan Slentz. “Also, when working on gear or a transmitter, I tend to snap a lot of pics just in case I ‘misplace’ a wire or component so I remember where it went.”

Workbench readers know that columnist John Bisset has long preached often about the usefulness of your phone’s camera in troubleshooting and educating your boss about the work you do.

2. SatFinder Lite

Randy Williams, chief engineer at Learfield, recommends SatFinder Lite from , free for Apple and Android users, as a tool to help in setup and alignment of a satellite dish or antenna.

“A user can program the satellite name or orbital slot from the list of satellites provided, and save to your settings. Then the app syncs to your phone’s internal GPS, compass and camera features, allowing you to point the camera of the phone toward the horizon. And it will display the satellite arc and the location of the satellite you are looking for by look angle.”

Williams says the app isn’t a precision instrument but will get you 95% of the way there in tuning your satellite antenna by giving you azimuth/elevation data from the camera lens to get a dish in the reception ballpark.

The app works for DirectTV, DishNetwork and C-Band satellite locations.

3. Luci Live Lite

Engineers like Greg Dahl of Second Opinion Communications and Tony Peterle of WorldCast Systems useCi various versions of Luci Live for audio streaming over IP. It’s made by Technica del Arte, which offers wideband codec apps for iPhone and Android.

“These are considered among broadcasters to be the easiest-to-use and best performing apps on the market,” writes Comrex in a tech note. There’s info on the Technica del Arte website about how to connect their apps to studio codecs from Comrex, Telos, Orban and other manufacturers.

“Even the SE version has everything I need,” says Tony Peterle. “Bidirectional stereo audio streaming with a variety of algorithms from which to choose. Very useful when trying to diagnose why a particular stream isn’t arriving at a particular site. Put Luci Live in the middle and find out which end has the blockage. Hint: It’s usually the receiving end, where public traffic has to transit a firewall, but it’s nice to be able to confirm and show that to others.”

4. Cisco AnyConnect Secure Mobility Client

“Using a VPN for remote access to your facility’s network is critical to maintaining security and protecting against external attacks,” says Shane Toven, senior broadcast engineer for Educational Media Foundation.

“Depending on your network infrastructure, you may have a manufacturer specific client, or you may be able to use the client built into your phone’s operating system.”

5. Microsoft Remote Desktop Client

“Microsoft Remote Desktop Services is a common means of accessing Windows systems remotely, and is built into most versions of Windows,” says Shane Toven. “It can be used in conjunction with a VPN client, or configured with a gateway server for external access.”

Use Microsoft Remote Desktop for iOS or Android to connect to a remote PC or virtual apps and desktops made available by the admin of your organization.

6. Angry IP Scanner

“This app will scan the currently connected subnet, or any other reachable subnet, for active hosts,” says Paul Thurst, principal/owner of Data Wave. “It can also be used to find open ports. I like this particular IP scanner because there is also a PC version that operates the same way.”

This is free, open-source software written by Anton Keks, co-founder of Codeborne. It runs on Linux, Windows, and Mac OS X.

“Angry IP scanner simply pings each IP address to check if it’s alive, then optionally it is resolving its hostname, determines the MAC address, scans ports, etc. The amount of gathered data about each host can be extended with plugins,” according to its website https://angryip.org/. It has additional features, like NetBIOS information — computer name, workgroup name, and currently logged in Windows user — favorite IP address ranges, web server detection and customizable openers.

7. Electrodoc Pro

Paul Thurst likes this app, formerly called Electrodroid, for its many useful collection of electronics tools and references including Ohm’s law, resistor color code, filers, voltage divider, reactance/resonance, resistor series/parallel, capacitor series/parallel, NE555 calculator and more, as well as converters including dB to Watt, frequency, and analog to digital. It also has an extensive list of pinouts.

8. Units Plus Converter

“This is what it sounds like, a converter for almost any unit into any like unit,” says Paul Thurst.

The app, developed by Alan Mrvica, includes tools to convert area, computer data, fuel mileage, length, power, pressure, speed, temperature, time zones, volumes dry and wet, and weight/mass. It also can convert 155+ world currencies.

9. Datadog

Another app recommended by Shane Toven of EMF. “This service allows you to create custom dashboards to monitor all of the systems and applications within your infrastructure at a glance. Its companion app makes those dashboards readily available on your smartphone or tablet.”

Datadog is a monitoring and security platform for cloud applications. It integrates and automates infrastructure monitoring, application performance monitoring and log management.

What’s your fave? Tell us your favorite app and why. Email radioworld@futurenet.com.

 

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The Federal Communications Commission has published a list of a dozen radio stations in Connecticut and Massachusetts that are at risk of losing their licenses if they don’t hurry a renewal application to the FCC.

The stations are listed at the bottom of this story. Six of the 12 are LPFMs.

Dec. 1, 2021 was the deadline for broadcasters in New England to file for license renewal for terms expiring on April 1, 2022. Broadcasters in Maine, New Hampshire, Rhode Island and Vermont faced the same deadline but none made the list.

In Connecticut:

• WPRX(AM), Bristol — Nievezquez Productions
• WWBW(LP), Higganum — Connecticut River Educational Radio
• WCSE(LP), Ledyard — Calvary Chapel of Southeastern Connecticut
• WNLN(LP), Niantic — New Haven Educational Radio Corp.
• WWEB(FM), Wallingford — Choate Rosemary Hall Foundation
• WCFC(LP), Willimantic — Calvary Fellowship of Willimantic

In Massachusetts:

• WJXP(FM), Fitchburg — Horizon Christian Fellowship
• WHHB(FM), Holliston — Holliston High School
• WREA(LP), Holyoke — Radio Redentor
• WYOB(LP), Oak Bluffs — M&M Community Development
• WMWM(FM), Salem — Salem State College Board of Trustees
• WYAJ(FM), Sudbury — Sudbury Valley Broadcasting Foundation

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According to a LinkedIn post by Wedel Software CEO Raoul Wedel, the Netherlands-based company is halting its operations in Russia immediately.

“Today’s news out of Tsjernihiv and Borodyanka is heartbreaking and are war crimes. No company, person or organization should financially support a regime deliberately killing innocent civilians,” he wrote.

According to Reuters, 47 people were killed in Russian airstrikes on Tsjernihiv, also transliterated as Chernihiv, on Thursday, Mar. 3. According to Radio Free Europe/Radio Liberty, civilian areas in Borodyanka were hit by Russian airstrikes and artillery shells the same day.

Reached via email, Wedel said that the software company, which develops traffic, billing, sales, and other back-office tools for media companies, has had a portion of its R&D efforts in Russia for the past eight year and before that those efforts were in Ukraine for five years. In his post, Wedel noted that the company has “20 or so” employees in Russia.

“We have employees in Donetsk, Rostov-on-Don, Moscow and St. Petersburg,” stated Wedel. “None of them support this war, and they are just trying to provide for their families.”

Wedel said the company does not expect any short-term problems from pulling out of Russia, but it will need to regroup its R&D efforts in the near future. “Even if the war would end soon, the country will remain unstable and sanctioned as long as Putin is in power,” Wedel said.

“The decision was on one hand heartbreaking; on the other hand, I feel we have no choice, and people must unite against these war crimes,” wrote Wedel. “I hope this story will make more companies consider cutting all their ties with Russia.”

Wedel Software is headquartered in The Hauge, Netherlands, and has offices in New York, San Francisco, Mexico City, and Kuala Lumpur, Malaysia.

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AEQ has released an application note about its Talent codec, which was introduced last year. It said users who update their firmware can enable fresh applications for this desktop stereo IP device.

For combining voice delivery with external audio, a user can use the codec’s Bluetooth connection and/or line-in to connect it to a smartphone or PC and mix audio from files, streaming, voice notes and pre-recorded clips. The audio from the mic is mixed with the phone or external audio before transmission. Local program audio can also be sent to the phone, PC or audio device for recording and mixing.

For live interviews, a user can call by phone and remotely interview another person while sending the program to the studio. “Thanks to the Bluetooth connection, Talent can be connected to a smartphone and make live interviews by GSM telephony or through applications such as Skype, WhatsApp, Zoom and others, which give a higher quality to the interviewee’s voice,” according to the company.

The voice of the interviewee is mixed with the Talent microphone and sent compressed by IP to the studio console. Simultaneously the mic connected to Talent “is sent clean to the phone to keep the conversation going, although the interviewee can also be given feedback from the studio.”

And for audio at events such as sports, commentary can be sent from the microphone and mixed with the PA audio of the event using the Bluetooth connection or an auxiliary input. “With the help of apps, you can even use your phone as an external microphone for an interview or binaurally capture ambient sound.”

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Genelec expanded its Smart IP line of installation loudspeaker systems with the compact 4410 model and a new Smart IP Controller app.

“The 4410 joins the existing 4420 and 4430 Smart IP models to cater to an even wider range of applications and room sizes, while the free Controller app provides the end user with instant and intuitive control of key loudspeaker system functions including mute, volume control and power on/off, plus overall zone control,” the company stated.

The Smart IP loudspeaker range operates off a CAT cable and is compatible with Dante and AES67; power is provided via PoE and PoE+ Power-over-Ethernet formats.

[Check Out More Products at Radio World’s Products Section]

The active two-way 4410 is intended for smaller spaces. It supports up to eight audio channels in a stream with sample rates of 32–96 kHz and 16–24-bit resolution and delivers a frequency response of 67 Hz–40 kHz. It is available in black or white, with a line of mounting accessories.

The RJ45 connector provides access to the Smart IP Manager downloadable software tool for Windows 10 that allows the installer to configure rooms, zones, loudspeakers and audio channels.

Users can then download the free Smart IP Controller app onto their phone or tablet for control of mute, volume control and power on/off. The app discovers the loudspeakers on the network; varying levels of access to some or all of the zones can be assigned.

Send your new equipment news to radioworld@futurenet.com.

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The Federal Communications Commission is making good on a commitment to promote radio service tailored to the needs of local tribal and rural communities.

For the Blackfeet Nation, formally known as the Blackfeet Tribe of the Blackfeet Indian Reservation of Montana, that undertaking has translated into the tentative selection of its application to build a new noncommercial educational (NCE) FM station in Little Browning, Mont.

The announcement comes after the closing of the November NCE FM new station application filing window available for the FM reserved band, Channels 201–220, which is 88.1 to 91.9 on the dial.

In November the bureau issued a public notice identifying 231 groups of mutually exclusive (MX) NCE FM applications. MX applications refers to situations where multiple groups have applied for the same or adjacent channels but only one application in the group can be successful.

Group 131 included the Blackfeet Nation as well as Holy Spirit Radio Inc., which proposed to construct a new station in Conrad, Mont.

[See Our Business and Law Page]

In considering two MX applicants, the Media Bureau said it used tribal priority criteria, service area population data and certifications provided by the applicants to make a decision.

In this case, it followed a threshold tribal priority process that guides the commission in ascertaining if any of the applicants in the MX group are a Native American tribe or Alaska native village proposing to serve tribal lands. It was in 2010 that the commission agreed to a series of policies to promote rural radio service with a key takeaway from that proceeding: It was in the public interest to prioritize tribes when reviewing AM and FM NCE applications and FM allotments.

“Because of their status as sovereign nations responsible for, among other things, maintaining and sustaining their sacred histories, languages and traditions, tribes have a vital role to play in serving the needs and interests of their local communities,” the commission wrote in its report and order.

If only one applicant in a group qualifies for the tribal priority, that applicant will be awarded the construction permit. The applicant must identify as a tribal applicant, propose tribal coverage and offer to provide the first reserved channel NCE service owned by a tribal applicant on those tribal lands. In its application, the Blackfeet Nation said it could meet those requirements.

The other applicant in the MX group, Holy Spirit, does not claim to be a tribe. As a result, the Media Bureau selected the Blackfeet Nation as the tentative selectee.

But the selection is a tentative one. The Media Bureau has created a 30-day window for receiving objection petitions before the application can receive approval. If the process moves forward from there, the bureau will dismiss the MX application of Holy Spirit and formally award the construction permit to the Blackfeet Nation.

The tribe, whose 3,000-square-mile reservation sits east of Glacier National Park and borders the Canadian province of Alberta, also operates station KBWG(LP) on 107.5 MHz in Browning, Mont.

 

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On Mar. 4, at 8:45 a.m. Central Europe Time (2:45 a.m. EST), around 150 stations across Europe played “Give Peace a Chance,” the anti-war anthem released by John Lennon and the Plastic Ono Band in 1969, simultaneously.

Based on an initiative from European Broadcasting Union Member Rundfunk Berlin–Brandenburg (rbb) station radioeins, the symbolic transmission was heard in more than 25 countries on public service broadcasters and commercial stations as a reaction to Russia’s invasion of Ukraine on Feb. 24.

“The horrors of the war against Ukraine are more apparent every day. Our solidarity, our humanity and our support are needed,” stated Patricia Schlesinger, chair of ARD, the German public service broadcasting organization, and director general of rbb. “It is a good signal seeing Europe’s radio stations join forces to remind us of that with this song. It is a source of strength and urges us not to look the other way.”

[Related: “Russian Broadcasters Leave EBU”]

Speaking on behalf of Ukrainian Radio, Yurii Tabachenko, executive producer for UA: Ukrainian Radio Channel One, said, “UA: Ukrainian Radio thanks its colleagues from the European Broadcasting Union for their support. It is extremely important that today Europe is united around Ukraine.”

EBU Director General Noel Curran said, “We know that throughout its hundred years history, the public have turned to public service media at times of war to inform and unite. This powerful call for peace through an iconic song will resonate with millions of listeners. This is what we do. I’m proud to belong to a community that, when the world has been fractured, can create moments to bring people together.”

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Gigi Sohn (image credit C-SPAN)

A divided Senate Commerce Committee finally voted Thursday (Mar. 3) along party lines to send the nomination of Gigi Sohn to the full Senate for a vote, a big step toward her ultimate confirmation. The vote was 14–14, which means the nominee can get a floor vote, but with no favorable or unfavorable recommendation.

The FCC has been at a 2–2 political tie for well over a year, so a tied committee vote to potentially break the commission tie was appropriate.

Sohn would be the fifth commissioner, giving the Biden Administration the majority it needs to tackle some tough issues, including network neutrality and media ownership/equity.

Also reported in a partisan vote was a fifth Federal Trade Commission member, Alvaro M. Bedoya. The vote on Bedoya was also 14–14.

Committee Chair Maria Cantwell (D-Wash.) said Sohn needed to be seated, in part because of the importance of the administration’s broadband priorities. Cantwell thanked all her colleagues for being there, which may have been a reference to reports that Republicans had considered not showing up to deny a quorum, and thus a vote, on Sohn.

[See Our Business and Law Page]

Ranking Member Roger Wicker (R-Miss.) said he could not vote for Sohn or Bedoya. He said he appreciated Sohn’s responsiveness, but said she was not the right choice to fill the FCC vacancy because she would continue to have an appearance of a conflict of interest.

Sohn was nominated last year but had to be renominated in January after the committee Democrats were unable to secure enough votes, then her first vote had to be postponed after one of the committee Democrats — Sen. Ben Ray Luján of New Mexico — suffered a stroke.

Luján got a lengthy standing ovation when he entered the chamber for the meeting.

Republicans have pushed back on her nomination over past criticism of Fox News and her relationship to Locast, the shuttered streaming service that was found by a court not to be entitled under a copyright carveout from streaming TV station signals without having to ask permission or pay for the transmissions.

But her backers have suggested that ISPs were pushing back because they did not want the FCC to reinstate net neutrality rules, and Republicans were pushing back generally because they wanted to stall the Biden regulatory agenda until the Midterms.

If the Republicans took over the Senate and House, they could nullify any FCC attempt to reinstate the rules, as they did to an FCC privacy regulatory regime under then FCC Chairman Tom Wheeler.

Wicker took issue with Cantwell’s phrasing of the nomination as being reported to the floor, saying only that the tie vote was being reported to the floor. Though Cantwell first said she thought that was the proper wording, she agreed that that technically constituted reporting a tie vote to the floor.

According to the Congressional Research Service, “a Senate majority can vote to discharge a committee from consideration of a matter, including a nomination, if it is not reported because of a tie vote in committee.”

The post Senate Commerce Sends Sohn Nomination to Senate for Vote on FCC Seat appeared first on Radio World.

Mix 106.5 personality Priestly (right) with Mo, a Children’s Center patient, during the radiothon.

Celebrating the second largest radiothon fundraiser in its history, Baltimore station WWMX(FM) and its parent company Audacy raised more than $1.3 million to benefit the Johns Hopkins Children’s Center in Baltimore.

Held Feb. 24–25, the event marked the 33rd time that the station has hosted the annual Mix 106.5 radiothon. The radiothon is a part of Audacy Serves, the company’s social impact platform that is designed to raise awareness of social issues of issues like mental health and anti-bullying; veterans and service members; children’s health; the environment; civic education; and diversity, equity and inclusion.

“Mix 106.5 has been a long-time champion for families and kids in Maryland and year after year, we are excited that the radiothon supports the vital, life-saving mission of Johns Hopkins Children’s Center,” said Tracy Brandys, senior vice president and market manager for Audacy Baltimore. “With the uncertainty in our world in the weeks leading up to the radiothon, we weren’t sure what to expect, but Maryland residents came through again.”

“Radiothon is such an important event for everyone at the Children’s Center,” said Margaret Moon, M.D., M.P.H., co-director and pediatrician-in-chief at the Children’s Center. “We are incredibly thankful for all of the generous support from this event, as well as to Mix 106.5 and our volunteers and staff members who work tirelessly to make this event such a success every year.”

This year’s radiothon was the second biggest radiothon event since the program began in 1989, said Tom Cook, brand manager for Mix 106.5. The station’s on-air personalities shared stories of inspiration from families and kids treated at Johns Hopkins. Sponsors who contributed to the radiothon’s success included Chick-fil-A, Johns Hopkins Federal Credit Union, Weis Markets, Rite Aid Healthy Futures, Wawa, Carroll Fuel Services and Royal Farms.

Since its inception in 1989, the radiothon has raised more than $25 million for the Children’s Center.

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Planning for the 2022 NAB Show is ramping up, and Radio World is asking exhibitors about their expectations for what will be the first in-person spring show in three years.

FEMA, the Federal Emergency Management Agency, will be on hand in the North Hall. Manny Centeno is project manager, National Public Warning System — EAS.

Radio World: What will be your most important news or exhibit message at the convention?

Manny Centeno: FEMA IPAWS encourages all broadcasters and EAS Participants to continue supporting the Emergency Alert System (EAS) and broadcasting in times of emergencies. Broadcasters provide a tremendous public service on a daily basis, and especially during times of extreme situations. IPAWS will provide best practices to attendees about the EAS and emergency broadcasts.

RW: FEMA has a program to harden Primary Entry Point stations. At the same time, the government is promoting the use of electric vehicles. What can or should be done about the EAS reliance on AM stations, while fewer cars may have AM radios? And what should we know about the FCC’s recent changes to the rules for broadcasters regarding EAS?

Centeno: EAS messages can be heard on AM and FM radio, terrestrial digital television, cable television systems and wireline operators.

AM radio continues to be a viable pathway for dissemination of EAS messages to the public. Its ability to reach vast geographical areas originating from a single transmission point and its inherent resilience make AM radio one of the best methods for reaching the public.

FEMA operates and sustains the National Public Warning System (NPWS), which includes 77 broadcast AM and FM station participants and relays covering 90% of the U.S. population. FEMA is currently modernizing its NPWS Primary Entry Point (PEP) facilities to provide added resiliency to assure the nation can be alerted and informed in times of extreme emergencies.

FEMA encourages the automobile industry to continue installing AM and FM radios in cars. Broadcast radio saves lives and supports our national security.

Additionally, FEMA encourages the public to keep a portable, battery-operated AM/FM radio at home with fresh batteries. Broadcast radio has and will continue to save lives in times of disasters and emergencies.

FEMA also encourages broadcasters and local/state jurisdictions to work together to assure that the public continues to receive urgent alerts and warnings.

FEMA Booth: N7106

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From our Who’s Buying What page: Calrec said Radio i Televizija Crne Gore (RTCG), the public service broadcaster of Montenegro, has completed a major upgrade of its radio and television facilities.

Calrec technology is being used on its two radio channels, Radio Crne Gore and R98, as well as on four TVCG television channels.

For radio, RTCG uses five native IP Type R consoles, a Brio36 and a Hydra2 router. For television, it installed three Artemis consoles, a router core, a Brio36 and two Type R consoles.

The system supports analog, AES and AoIP in a hybrid workflow. It uses Calrec’s H2 IP Gateway platform to integrate the proprietary and AoIP networks.

Dejan Vujovic is deputy general manager for technology at RTCG.

Send your new equipment news to radioworld@futurenet.com.

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FM broadcasters soon will have a new and unfamiliar option when shopping for broadcast antennas. Dielectric has announced it will introduce a pylon FM antenna.

It said the FMP line will be “the broadcast industry’s first slot cavity microstrip FM antenna product family.” Dielectric says pylon antennas, which are used in television, are notable for high efficiency, low windload, multicasting capabilities, pattern flexibility and small tower footprint.

But VP/GM Keith Pelletier said that in the past, the cylindrical attributes of pylons produced narrow bandwidth characteristics that were impractical for FM signals.

“We have now adapted what was long a solution for mostly single-channel TV operations for both broadband TV and FM broadcasting, which very much differentiates our product portfolio from competitors.”

He cited several factors that allowed Dielectric to offer a pylon for full-band FM operation.

They include reducing the antenna Q factor, which he said improves the bandwidth from one to 20 percent; and stabilizing the H:V ratio across the band.

[Check Out More Products at Radio World’s Products Section]

“The 20 percent bandwidth translates to full FM band operation, which is the key goal of the FMP antenna’s design,” the company wrote.

“Dielectric has also included its patented parasitic dipole, which adds a vertical component to the existing horizontal signal. This creates more pattern options for FM broadcasters, including elliptical and circular polarization, and contributes to the substantial bandwidth increase.”

The company says FMP antennas use 60 percent fewer parts than equivalent ring-style antennas, which improves reliability.

“The pylon design also provides broadcasters and tower crews with top-mounting options, in addition to the traditional side-mounted configurations of ring antennas,” it continued.

“This is ideal for high-power FM stations that want a true top-mounted omnidirectional antenna. The FMP can handle input powers of 100 kW and higher, which also makes the antenna excellent for combined operation of multiple stations.”

The FMP designs use full-wavelength spacing between elements, so fewer of them are needed. Antennas are built in four-layer building blocks and can be increased to eight or 12 bays to suit higher power requirements and elevation pattern gains.

The company noted that the antenna design process was done in a virtual environment using using High Frequency Simulation Software, and then built to validate the designs.

The company will be talking about the new antenna line at its booth at the upcoming NAB Show.

Dielectric NAB Show Booth: W7107

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There is clarity when it comes to how much money is available to pay FM radio broadcasters for expenses incurred due to the TV spectrum repack in the United States.

The FCC now says it will cover 100% of verified estimates — instead of 92.5% — because allocations are concluding and there is still money left in a $2.75 billion relocation fund created by Congress to cover broadcasters’ expenses.

The FCC in a recent public notice explained the final reimbursement procedures for owners of FM broadcasters who share tower space with full power or Class A TV stations that participated in the incentive auction and repacking. The TV repack process, intended to create additional spectrum for wireless services, resulted in some FM broadcasters incurring costs in order to facilitate the repack stations’ construction projects.

Radio stations affected have been filing reimbursement claims but now have until Sept. 6, 2022, to submit all remaining requests for expenses.

[See Our Business and Law Page]

The FCC says invoices totaling more than $1.67 billion have already been sent to the U.S. Treasury Department for processing and payment with some $34 million in invoices on hand still under review. The FCC said it took care to spend down the reimbursement fund in phases to prevent running out of money, acknowledging that estimates and expenditures were refined and changed over time as broadcasters moved forward with projects.

The Incentive Auction Task Force and Media Bureau said their cautious payment allocation approach throughout the 39-month transition period “reduced the likelihood of over-allocating funds that would then have to be reduced or issuing payments that would have to be clawed back.”

In a previous public notice released in December 2019, the FCC indicated the owners of approximately 90 FM radio stations — all co-located with TV facilities — had been assisted with projects such as building auxiliary facilities in order to remain on air throughout repack work. The FCC at the time estimated that fewer than 500 radio stations in all would be affected by the TV spectrum repack.

Congress had designated $50 million of the reimbursement fund to be set aside for FM broadcasters. The FCC previously reported that as of late 2019, just over $17 million had been allocated for FM stations.

Radio broadcasters submitting their remaining reimbursement claims should be careful to have documentation to back up any reimbursement claims. The FCC says it will begin site visits to facilities of some fund recipients to validate the existence and operational status of post-transition equipment for which entities received reimbursement. Site visits, to be conducted by a third-party contractor, are expected to begin in March 2022 and continue throughout 2022, according to the FCC notice.

The TV repack resulted in new channel assignments for 987 full power and Class A stations. The reassignments cleared approximately 60 MHz of spectrum for use by wireless licensees.

[See Radio World’s 2017 eBook “Hey Radio, Here Comes the TV Repack”]

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The process of renewing a station’s license depends on several factors, including honesty in communications and proof the station is serving the public interest. In cases where these requirements are not met — and before outright denying to renew a station’s license — the commission must start proceedings for a hearing to evaluate the factors in question.

That’s where an Ohio low-power FM licensee now finds itself — on the cusp of hearing proceedings regarding alleged rules violations related to its license renewal.

A hearing designation order has been put in effect for the Marion Education Exchange (MEE) regarding WWGH-LP in Marion, Ohio. The hearing will determine if MEE violated the Communications Act and FCC rules, determine if the commission should renew the station’s license and decide if a forfeiture should be imposed.

A key issue in question: whether MEE misrepresented the composition of its board of directors, including whether it listed a dead woman as one of those members.

The hearing will also determine if MEE made misrepresentations to the commission and whether or not it failed to properly notify the FCC that a transfer of control occurred.

[See Our Business and Law Page]

According to the Media Bureau, MEE was registered with the state of Ohio as a non-profit corporation in May 2, 2019, with Shawn Craft as the registered agent. Seven days later, MEE and the station’s former licensee, Marion Midget Football (MMF), filed an application requesting the station’s license be transferred from MMF to MEE. At the time, MEE indicated no changes to the makeup of its board members, only the name of the licensee. The commission granted the reassignment application.

But during the license renewal process, the commission learned that one of the board members of MEE — Betty Compton of Marion — passed away on Nov. 7, 2016, more than two years before MEE filed the application listing her as one of five continuing members of MEE’s board.

In June 2020, an objection was filed by Spencer Phelps, the station manager of another LPFM station in Marion, alleging that MEE had misrepresented its board composition in its application because board members were “completely different people” than those listed on MEE’s application.

Phelps submitted copies of corporate materials filed by MEE with the state of Ohio, and the bureau saw that the five individuals listed on MEE’s initial application were removed. Instead, four different individuals were listed as board members.

After no response from MEE to Phelps’ objection, the bureau sent the first of three letters of inquiry requesting information regarding MEE’s board. The bureau gave MEE until Jan. 7, 2021, to submit copies of corporate materials listing its board composition. MEE did not meet this deadline, the bureau said.

As a result, on Feb. 12, 2021, the bureau dismissed the licensee’s renewal application, cancelled WWGH’s license and informed MEE that its authority to operate the station had been terminated.

Four days later MEE responded and asked the bureau to reconsider. The Media Bureau agreed to reinstate the license and the renewal application while it awaited additional information.

In MEE’s response, the Media Bureau said, the licensee appeared to explain away any inconsistencies between the board members listed in its assignment application and the ones identified in its response to the commission. MEE said that several of the board members that left MMF in 2019 became ill and had since passed away and that these board positions were filled with “members who knew the radio station and have had its best interests … at heart.” MEE also maintained that the station is fulfilling an important role as an LPFM in the community and is currently serving as the last station in Marion to provide hourly local news and weather.

Phelps responded again to say that MEE was untruthful in saying its station is the last hourly news and weather station in Marion and that MEE was in violation of FCC rules because it continued to operate the station for several days in February after the commission rescinded the station’s license.

When the bureau followed up with a second letter of inquiry to MEE directing it to provide information and documentation about its board composition, MEE revealed that the organization was incorporated in 2019 by the second group of board members — not those individuals listed as board members when the assignment application was filed in May 2019. (MEE did not allude to the death of Compton, who was listed on that original assignment application in May, the bureau said.)

In a third letter of inquiry sent by the Media Bureau (“because the second letter … raised more questions than it answered,” the bureau said) the bureau directed MEE to clarify statements it made in its last response.

MEE responded with a list of all current and former MEE board members and their dates of services and said that board changes happened when some members could not attend meetings on a regular basis. MEE stated that did not file a transfer of control application “because we had hoped that some of the original board members might have been able to return.”

As far as the questions surrounding why the late Betty Compton was listed as a board member, MEE said that “her successor had not been chosen.”

Phelps weighed in again, accusing MEE of lying to the commission about Compton and being untruthful about the existence of certain corporate documents like bylaws and meeting minutes.

In its current hearing designation order, the bureau reminded MEE of several key factors the commission must consider before a station’s license can be renewed, including that the licensee has not committed any serious violations of the Communications Act and FCC rules and that there is nothing to indicate a pattern of abuse by the licensee.

When a licensee does not meet these requirements, the commission can deny the licensee’s application to renew its station’s license but not before giving the licensee the opportunity to have a hearing with an FCC administrative law judge.

The bureau said that misrepresentation and lack of candor “raise serious concerns as to the likelihood that the commission can rely on an applicant … to be truthful” and the sort of serious violation that could be grounds for denying a license renewal.

In this case, the bureau said MEE repeatedly failed to fully respond to commission questions, failed to notify the commission of a transfer of control, misrepresented its board composition and was less than candid in its responses to the bureau’s letters of inquiry.

Among the bureau’s specific complaints: that a deceased person was listed as a board member, that other individuals were listed as board members when it appears that they were not, that MEE showed a lack of transparency in listing its board members past and present, that MEE failed to notify the commission of a transfer of control from MMF to MEE, and that MEE may have tried to convince the bureau to renew its license by claiming that WWGH was the last station providing local news and weather every hour in Marion. (Phelps stated that three other full-power FM stations and two low-power FM in Marion do the same.)

“[Different and inconsistent explanations] reinforced our initial concern that MEE knowingly submitted false information in the assignment application and engendered additional concerns that, in an attempt to cover up its original misrepresentation, MEE made additional misrepresentations to … the commission.”

When it comes to the issue of unauthorized operation, however, MEE is not in violation of the rules as a station retains its authority to operate while an administrative or judicial hearing is pending, the bureau said.

The decision on the renewal of WWGH’s license is now set to be reviewed by the FCC administrative law judge. The hearing will also determine whether a forfeiture should be issued against MEE of up to $55,052 for each violation of each commission rule.

MEE has 20 days to file a written document stating its intention to appear and present evidence. If MEE fails to file that document, the pending application will be dismissed.

The post Ohio LPFM Heading to Hearing Over Alleged Violations appeared first on Radio World.

DigitalBridge Group has named Jonathan Adelstein as its managing director and head of global policy and public investment.

Adelstein has been president/CEO of the Wireless Infrastructure Association since 2012 but is more familiar to broadcast readers as a former Federal Communications Commissioner (2002–2009).

Marc Ganzi, president/CEO of DigitalBridge, called Adelstein “a nationally recognized leader in digital infrastructure policy.”

After serving on the FCC, Adelstein headed the U.S. Department of Agriculture’s Rural Utilities Service.

He’ll start in his new role in June.

Send news of engineering and executive personnel changes to radioworld@futurenet.com.

The post Adelstein Joins DigitalBridge appeared first on Radio World.

Cumulus Media promoted Keith Liesmann to the newly created position of regional vice president for Arkansas, where the company has 16 radio stations.

“Liesmann will continue to serve the company as market manager for Cumulus Little Rock, a position he has held since 2015,” it said in the announcement, “and will add responsibility for the oversight of Cumulus radio stations in Fayetteville and Fort Smith, with the vice president/market manager of those markets reporting to him.”

He is former market president for iHeartMedia-Springfield, Mo., and was vice president/market manager for Cumulus Topeka, Kan.

The announcement was made by Bob Walker, president, Cumulus Operations at Cumulus Media; he called Liesmann said a strategic and focused leader who has done a wonderful job in Little Rock, especially given the challenges all of us have had to overcome in the last two years.”

Send engineering and executive job announcements to radioworld@futurenet.com.

The post Cumulus Promotes Liesmann in Arkansas appeared first on Radio World.

Burk Technology has launched its “Arcadia24 Hosted Subscription Service,” making secure web-based remote control accessible to small groups and individual stations.

Based on Burk’s Arcadia system, Arcadia24 delivers remote facility control to station engineers and managers via their mobile devices. Hosted by Burk Technology on AWS, each customer’s Arcadia24 service is installed, configured, managed and maintained by Burk remote control experts.

Web links from mobile devices to the Arcadia24 server are locked down and encrypted using the latest generation of Transport Layer Security (TLS), ensuring that only authorized users can access and control each remote facility, the company said. Encrypted VPN tunnels and firewall protection guard communications between Arcadia24 and each remote site.

[Check Out More Products at Radio World’s Products Section]

As a cloud-based service, Arcadia24 communicates with each remote site at its optimum rate, accommodating variations in communications speed and performance. The most current data from all sites is then made available for instant display on authorized mobile devices.

Arcadia24 users are authenticated via Microsoft AD LDS, with each user’s access restricted to specified channels, sites, and station groups. Control of critical site functions can be strictly limited to key personnel while overall site performance may be made visible to a wider group of authorized users.

Burk provides customized graphical control screens for each site connected to Arcadia24, giving station personnel instant access to critical site information. Sites can be grouped based on regional hierarchy, engineering responsibility or other criteria, with easy drill-down to display performance summaries. The Arcadia24 user interface seamlessly supports smartphones, tablets and PCs, the company said.

“Burk’s original Arcadia remote access system brings flexible, secure mobile site control to large radio and television groups operating tens to hundreds of stations,” stated Burk Director of Sales Matt Leland. “The new Arcadia24 is hosted and managed by Burk, making it easy for smaller organizations and even individual stations to realize this same level of secure mobile remote access.”

Arcadia24 manages remote sites equipped with Burk Technology v5 ARC Plus or ARC Solo remote control systems.

Send your new equipment news to radioworld@futurenet.com.

The post Burk Launches Secure Web-Based Remote Control Subscription appeared first on Radio World.

Dan Slentz gets funky with Adafruit. Fred Jacobs reflects on the recent Consumer Electronics Show.

Paul McLane plays with smartphone apps. Lance Coon builds an EAS antenna.

And Frank Foti explains his new audio initiative called DejaVu.

Read it here.

The post Inside the March 2, 2022 Issue of Radio World appeared first on Radio World.

Expect to hear a lot more from Audacy about selling to “addressable” audiences.

The company has launched the Audacy Digital Audience Network, describing it as “an addressable aggregate of over 60 million listeners that other audio platforms and streaming platforms do not reach.”

Audacy local and national salespeople can use it when working with agencies and clients.

Chief Revenue Officer Brian Benedik said in the announcement, “The marketplace has moved to audience-based investment and our new ADAN offering is highly scaled with unduplicated digital listeners. We can target these audiences with precision and optimize campaign performance for better marketer outcomes.”

Audacy believes it reaches 200 million people every month and that 30% of them can be found on ADAN through streaming, on the Audacy app and on its podcasts. It says these audiences are more affluent, more likely to be college educated and more diverse than others.

“Through this high-performing audience solution, ADAN can target precise audiences at scale and deliver high-performing digital audio media strategies for Audacy’s advertising partners.”

The post Audacy Launches Addressable Audience Platform appeared first on Radio World.

Planning for the 2022 NAB Show is ramping up, and Radio World is asking exhibitors about their plans and expectations.

Gary Luhrman is sales & marketing manager at Inovonics Inc., which will be found in the new West Hall of the Las Vegas Convention Center.

Radio World: What do you anticipate will be the most significant technology trend for radio professionals at the show?

Gary Luhrman: There is a great deal of movement in AoIP applications for broadcast radio. I have spoken with many audio engineers who seem to be very happy with the audio quality and impressed with the ease of setting up AoIP connections, provided of course the cabling and switches are solid.

Inovonics has been incorporating Dante-based AoIP ports in all our latest models. This enables a simple connection with other Dante-equipped devices and gives AES67 AoIP interoperability among a wide range of pro-AV products. Dante is generally also compatible with proprietary systems from independent manufacturers of AoIP-enabled products.

In our world of radio broadcast, for example, this could mean incorporating our SOFIA 568 HD Radio SiteStreamer+ in a broadcaster’s Axia Livewire Network. We have a white paper explaining the setup procedure on our website.

RW: What will be your most important news or exhibit theme?

Luhrman: We’re very excited to introduce our new 551 and 552 HD Radio Modulation Monitors to this year´s NAB. We’ve been working on these in the background for a good two years now and we are extremely proud of the finished products. We believe these mod monitors are truly compelling products for our industry.

Actually, we were going to present the 551 and 552 for the first time last year when the show was cancelled. The big advantage of presenting them now is that both are already in production and shipping. It has also given us more time to work with a valuable group of beta testers, who have provided excellent feedback to enhance the reliability of the firmware and functionality of the products.

So, interested customers can be confident that what they see on the show room floor at NAB is what they will get when they place their orders. And like most Inovonics products, we typically have product in stock for fast processing of customers’ orders.

RW: How is it different from what’s available on the market?

Luhrman: The 551 HD Radio Modulation Monitor is unique to the market with a high-resolution 7-inch TFT Touch Screen that displays all the essential FM and HD Radio modulation data for accurate readings in a graphic format. The touch screen also displays HD Radio album artwork, station logos and similar visuals.

The Inovonics 551 HD Radio Modulation Monitor

In addition, all the essential information is remotely accessible from any web-enabled device through an interactive web interface. The 551 and 552 include a built-in BandScanner, a real-time clock and full SNMP functionality.

Full-time off-air program audio is available simultaneously as L/R-analog, AES3-digital and Dante-based AES67 AoIP streaming, all with adjustable levels, plus a multi-listener Internet IP stream and front-panel headphone jack.

RW: How has the lack of physical trade shows affected your clients or your own business?

Luhrman: The lack of physical trade shows and inability to safely meet in person with customers has required major adjustments for everyone. While we’re fortunate to have communications tools like Zoom, it is just not the same as shaking a hand and having a face-to-face conversation with a radio professional.

But we were all in the same boat and collectively have made business happen under the circumstances. I think Inovonics has managed pretty well by sticking to its core values and by anticipating some of the supply issues that have plagued many manufacturers. That is to say, we’ve managed to keep product on the shelf and broadcasters have responded to our fast deliveries, quality of our products, and excellent tech support.

Inovonics Booth: W4622

The post Exhibitor Preview: Inovonics at NAB Show appeared first on Radio World.